My Current Setup For Shooting Tethered Into Lightroom

Happy Monday everybody! I’m out doing my Lightroom seminar tour this year (I’ll be in Chicago and the Detroit area with my seminar next Monday and Tuesday respectively), and I get lots of questions about the tethering rig I use, so I thought I’d share a few Behind-the-Scenes shots from a studio shoot I did a few weeks ago (shots for an upcoming book), where I can break down the set-up (and the lighting while we’re there, right?).

Here’s the basic set-up:

The Cable:
The long orange cable is the essential thing you need to connect your DSLR to your computer (and into Lightroom). It’s from a company called Tethertools, and their entire company is dedicated to making stuff for tethering (so, with the exception of the tripod and ballhead and lights, all of which I mention shortly, all the tethering gear itself is from Tethertools (btw: great company, great people behind it, great products, and awesome customer service – I totally dig them!). Anyway, the cables come in different lengths and different connectors to fit your particular make and model of camera (USB 2.0, USB 3, Firewire, Micro-B, Mini-B, etc.). The bright orange color is to help you see the cable in a dark studio environment so you don’t trip on it. Prices vary based on length and ends chosen, but figure around $32 to $55.

The Bar:
It’s all sitting on a tripod (in this case, it’s a heavy duty Really Right Stuff tripod I believe), and the crossbar attached to it is the ‘Rock Solid Tripod Cross Bar’ from Tethertools (it holds a laptop table on the right, and my Really Right Stuff BH-55 Ballhead on the left, which gives me a place to put my camera between frames, while I’m tweaking the lights, or looking at the images in Lightroom). It’s $129.95 at B&H Photo.

The Laptop stand (and safety strap):
It’s called the Tethertools ‘Aero Table’. NOTE: If you get this Aero Table, I would strongly (in the strongest most strongly of strong terms) suggest that you get the optional SecureStrap that keeps your Laptop from sliding off the table, which is most likely to happen when you and a friend/assistant pick up the rig to move it). It has saved me countless times. Get the strap. It’s a must. It’s optional, but shouldn’t be. It’s strap time. Strap it on.  The Aero Table is $195 for a 15″ MacBookPro, and the SecureStrap is around $18 (btw: all the prices shown are what they’re selling for today at B&H Photo).

External Hard Drive Holder:
The little box under the right the side (seen more clearly in the shot above, taken from another shoot that same day), which is currently holding the “brick” for my Apple charging cable, usually is holding an external hard drive (that’s what it’s really designed for). That little external drive holder is called the ‘Aero XDC‘ and they make ones that hold one drive or two drives. Super handy because if you don’t have one, then your hard drive is just kinda sitting there leaning against your computer, waiting to fall off during the shoot (said from experience). Around $54.

 

 

Rolling Base For Your Tripod
The accessory to this system that I just started using in the past few months, and one in which I have deeply fallen in love with is their Rock Solid Tripod Roller, (seen above) which lets you easily roll the entire rig around, rather than having two people pick it up and carefully move it around the studio, which I often have to do a dozen or so times during a shoot. This way, your tripod sits right in special mounts on the roller, and it just glides around. Much safer, faster, and you don’t need a 2nd person to wheel it around (nor do you have to worry about your laptop falling off when it’s just gliding across the floor, much like Belle in Beauty and the Beast. But I digress). It’s around $79. Can’t recommend it enough.

Not Seen, But Felt…
You can’t see it in this photo, but it’s super awesome is their optional Aero Cup Holder accessory, which slides under the Aero Table and you slide-it-out when you need it. It can hold a water bottle, coffee cup, but it’s also awesome for holding your phone during the shoot, or extra batteries, or whatever you need handy during the shoot. It’s $29.95. Totally worth it.

My Entire Kit
The folks at Tethertools are putting together an entire kit of all the stuff I use, and doing a bundle deal for all of it. I don’t have all the specifics, but one day, it will be available, somewhere, somehow. How’s that for specific info? ;-) BTW: When it does come out, I don’t get a commission or kickback (sadly), it’s just for the convenience of folks who come to my seminar and want the same rig. I’ll share the details here on the blog when it’s available. 

Now, let’s look at the lighting
Since we brought all this up, we have to take a quick look at the lighting, right? It’s simple Clamshell lighting with both lights directly in front of our subject. The top light is an Elinchrom 17″ beauty dish (no diffuser — you can get away without using a diffuser if your subject has really clear skin), and the bottom light is a 24″ square Elinchtrom Rotalux softbox. Both strobes are Elinchrom ELC 500-watt strobes, and I’m triggering them with a Skyport Transmitter sitting in my camera’s hot shoe.

Hope you found that helpful. :)

Pop Quiz: what happens one week from today?
I’m in Chicago with my brand new Lightroom OnTour full-day seminar. Guess what happens the next day? That’s right — I’m in the Detroit area (Livonia, Michigan to be exact) with the same seminar. Two days. Two seminars. What could go wrong? ;-)  – Hope you can come out and spend the day with me (you can still grab a ticket right here).

Hope today is the start of a great week for you, and we’ll catch ya here tomorrow for a slick little Photoshop tip I’ve got fer ya! :)

Best,

-Scott

The post My Current Setup For Shooting Tethered Into Lightroom appeared first on Scott Kelby's Photoshop Insider.

It’s “Back-up Your Photos Friday” (and I’m giving away 5-copies of my Photoshop CC book!)

Go Back Up Your Photos. Right Now!
Seriously. If you want to do the most important thing you’ll do all day — stop what you’re doing right now and go back up your photos.This past Wednesday on The Grid our topic was backing up your photos and people were writing in with such heartbreaking stories of how they lost everything, or if they were lucky it was only thousands of photos they’ll never get back. They all mentioned how devistating it was. It takes much less time than you’d think, and you’ll sleep a whole lot better tonight knowing you’re finally, and fully backed up.

I’m embedding Wednesday episode below – we talked about which types of drives to get; how big, and different solutions for backing up to the cloud, and we answered a whole bunch of questions. If you’re not sure where to start, which this episode.

Today’s the last day to save $100 on a Photoshop World 2017 Conference Ticket
That’s right — the Early Bird Discount ends tonight at midnight for next month’s mega-conference in Orlando, Florida (it’s warm here btw), but if you get it on right now you’re not too late to save 100 bucks.

Head on over to photoshopworld.com right now and snag your tickets. You’ve always wanted to go — you keep saying “I’m going to go one of these years…” why not come join us now. You’ll learn more in three days than you have in three years, and you’ll come back faster, better, and totally re-energized. Get on it tonight – right now (well, right after you backup your photos). :)

Tomorrow night — it’s the Grand Opening of “The Gallery at KelbyOne”
We are just so excited — the gallery is complete, and tomorrow night we’ll be celebrating the photographic work of KelbyOne member Mark Wegner (Mark won our competition for a one-man show), and you’re invited to be a part of the opening, no matter where you are in the world. We’re streaming our “Artist Interview” live tomorrow night, and you’ll get a peek at the gallery, and you’ll be inspired by Mark’s work and his stories about how he “got the shots.” It’ll be a night to remember, and you’ll see it unfold live.

Details: 

Who: Me, Photographer Mark Wegner, and our host Larry Becker (Plus, a bunch of people enjoying wine and cheese). Mmmm. Cheese.
What:
The Grand Opening of “The Gallery at KelbyOne” and a solo gallery showing of photographer Mark Wegner’s work
When: Tomorrow night – Saturday, March 18th @8pm ET
Where: My Facebook Page, or at http://kelbyone.com/gallery-webcast
Why: To showcase the amazing work of KelbyOne members, and share their photography with a worldwide audience

The presentation starts at 8PM ET (Note to International viewers: the US observes Daylight Savings Time so we recently moved our clocks forward 1-hour). Hope you can join us. :)

For more details about the gallery competition (including how to enter when we open the 2nd round of entries shortly), jump over here.

 

That’s right — I’m giving away FIVE free copies of my latest Photoshop CC Book for Digital Photographers
Just leave a comment below in the comment section, and you’re entered. We’ll pick a winner this weekend and announce the winners on Monday. You can enter anywhere you are in the world — good luck everybody (if don’t win, you can buy the book online at Barnes & Noble or Amazon, in print or ebook formats)

Thanks for stopping by, and please consider this your friendly reminder that this is, officially, “Back Up Your Photos Friday.” :)

Have a great weekend, everybody!

-Scott

 

The post It’s “Back-up Your Photos Friday” (and I’m giving away 5-copies of my Photoshop CC book!) appeared first on Scott Kelby's Photoshop Insider.

Field Test: Case Air Wireless Tethering (and my remote camera blues from Saturday’s NFL Playoffs)

Hi Gang — and welcome to a totally awesome Monday! On Saturday, I shot with the Falcons Crew (three of the best guys, and lights out shooters, you’d ever want to meet: Jimmy Cribb, Michael Benford, and Lynn Bass) for the NFL Divisional Playoff game between the Falcons and the Seahawks (and the Falcons rocked it with a big win!).

I brought my standard remote camera rig (more on that in a moment), but I wanted to try something new for shooting goal line stands from really down low, which is a remote camera rig (Platypod Pro Max, 3leggedthing Airhed Neo Ballhead) but I did it by controlling the shoot from my iPhone using Tethertools “Case Air” Wireless Tethering System.

The advantage is that I can set the rig down on the ground, and then see a live view of the field from my iPhone. I can change settings, set my focal point, do a time lapse, and even fire the camera all from my iPhone. The images go straight into my phone, so I could share them almost instantly if need be.  Here’s a closer look at the rig:

Above: The Case Air is that little unit sitting on top of my camera, in the hot shoe mount. It plugs into your camera’s mini-USB port (well, on my camera anyway, which is a 5D Mark III), and that’s the whole set-up hardware wise. Then you download the free Case Air app for your iPhone. The Case Air creates its own closed wireless network which you connect to (just takes a few seconds), and then you see what your camera is seeing, right on your app.

Above: The Falcons are lining up for an extra point when I took this shot using the Case Air. It was at that moment that I realized that a 14mm lens is WAY too wide for this task. Needs to be at least a 24-70mm, which is what I’ll try next week. This way, I can keep my 70-200mm ready for a pass to either edge, and the Case Air covers the center of the field (though I’m set up off center here, I won’t be next time).

We’re generally not allowed to lay down in the end zone (kneeling is fine), and the PocketWizard Route that I use for the player intros would work here too. It’s probably more responsive than the Case Air, but without lying on the ground (which I do in rare instances), the Case Air gives you a perfect way to set-up and focus the camera before the play. I can tell you — this is probably the last thing the folks at Tethertools ever imagined this being used for, but I wanted to try it anyway.

PROS: It’s super lightweight; it’s very cleverly designed, and all connects in seconds, and in the studio and for this field test I had zero problems getting it to work. I just hooked it up and it worked. The software is great, and the whole thing is fun, and I can go straight from my iPhone to the Web. Social Media folks for teams would eat this up! Plus, it’s only $149, which is around the price of just 1 of the 2 PocketWizard Plus IIIs that you’d need to fire a remote camera in an environment like this.

CONS: It was never designed for this. It’s really for wireless tethering in the studio or for portraits on location, or for a second camera behind the bride and groom during the ceremony. Because everything’s moving via wireless, the images have to transfer from the camera to the iPhone, so if you shoot a burst of images (like we do in football) you don’t see the results right away — you see a spinning status wheel as images are coming in, so you have to wait a minute to see if you “got the shot.”

Speaking of PocketWizard Plus IIIs
My regular remote camera shoot for the intros, which is usually a no-brainer at this point…wasn’t.

Above: My standard rig (except this was my 3rd camera, so it’s a Canon 5D Mark III — usually a Canon 1Dx). PocketWizard Plus III on top sitting in the hot shoe mount. Connected to my camera’s Remote Shutter Release port via a cable. 14mm lens on the camera (perfect for this); an Oben ballhead (got it from B&H), and a Platypod Pro Max plate holding it all steady.

Above: You can see my small rig over on the right, to the left of that Falcon’s logo, which soon will be spitting out fire and smoke, which is one of the reasons why you need a remote camera — you might burst into flames.

Above: Here’s the view from the camera itself. I do lots of test shots before the players come out to make sure everything’s working. The position seems pretty perfect, and it’s firing off test shots (I can see the little light on the top of the PocketWizard, and I see the image appear on the back of the screen, so even though I’m not down there on the ground, I can see it’s firing.

Above: I have a PocketWizard Plus III with me out at the center of the field to trigger that remote camera; it’s in my Hot Shoe mount, so when I fire my camera, it automatically fires the remote. At least, that’s the way it’s supposed to work, but on Saturday it only fired once — just this one picture above, and it never fired again. I have no idea why. Maybe I knocked the remote as we shifted positions after the cheerleaders came out, and the connection wasn’t solid — I don’t know — but I only got this one shot, which is pretty much worthless. This same exact rig worked perfectly at the Dolphins game down in Miami just a few weeks ago. The shame is — the positioning was on the money (at least I know for next week, right?).

Above: This was taken with my main camera with a 70-200mm — I darkened the scene except where I put that red circle so you can see where my remote camera was positioned. Oh well, it happens.

So, as far as Remote Cameras go, it was a miss and a single. I proved the Case Air can work even in an environment I doubt it was ever designed to work in, but I used a wide lens and didn’t have the one I needed with me. Luckily, I get to try again for the NFC Championship Game in Atlanta next week.

So, that’s a little behind the scenes, and a field report on the Case Air. Here’s a link if you want more details on it (and I give it a big thumbs up overall for an affordable, solid wireless tethering system.

Hope you all have a great Monday (yes, it’s Monday and it’s going to be great!). :)

Best,

-Scott

 

 

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