Bridal Shoot (with behind-the-scenes shots and camera settings)

Hey, it’s Photoshop World week, and to celebrate, today I thought I’d share some shots from a recent bridal shoot I did for a project I’m working on.

The shoot took place at Casa Bella – a beautiful 9,000 sq ft. luxury home/venue for weddings and events in our area. I teamed up with my awesome wife Kalebra who did all the styling and art direction for the shoot (she’s just a blast to be on a shoot with — she brings an energy, and fun to the shoot that’s contagious. Also, seeing how she sees things, and how she works with our subjects is really something to see — she should do a class on it).

Above: Here’s the behind-the-scenes shot (photo by Juan Alfonso) of me taking the image at the top of the page. I’m sitting on an Apple box (see below) so I’m not quite on the floor (maybe 6″ up from it) but I put my camera (a Canon 5D Mark III)  directly on the ground in front of me, tilted up at the bride, using a Canon 14mm super wide-angle lens. You can see I’m pretty close to where the bride is standing, but look how much farther away she looks in the image up top.

Above: These Matthews Apple Boxes come in really handy. This is a half box (just 4″ high), but in a lot of cases, it’s a whole lot better than sitting on the ground. They are sturdy as anything, and you can stack ’em, too! We have them in different sizes, and use them mostly in the studio, either to get a higher angle or a much lower one. 

Two things that super wide angle does:
(1) When you put it on the floor like this, it makes the entire scene have more of an epic sprawling look — even in small spaces like this.

(2) Putting it on the floor like this, makes the floor appear MUCH more reflective than it really is, and you get a shine and reflection that you won’t get standing up, or even shooting on your knees. I can’t tell you exactly why it works like that…but it sure does.

Above: Shooting w inith our bride the same spot— I just stood up, backed way up, and used my 70-200mm f/2.8 zoomed in to 140mm.

Camera Settings:
I’m at 200 ISO at 1/400 of a second at f/2.8. I shot at f/2.8 for two reasons: (1) To get the background behind her a bit soft and out of focus, and because believe it or not, even though she was standing in front of a door with glass panes, the door is inset from the front of the house by quite a bit (there’s a large covered entryway), so the light wasn’t that bright. That’s also why I had to increase my ISO to 200 — there’s not as much light there, at that time of day, then you’d think.

Above: A third look with her in the exact same spot — I just walked closer, and then zoomed into 142mm. 

Lighting
When we first walked in, I asked Kathy (who was assisting me on the shoot), to rig up a flash with a Westcott 26″ Rapid box octa mounted to the end of a monopod, but as it turned out — we were able to just go with natural light the entire 4-hour shoot, and we never used it once. That’s pretty rare, but the lighting throughout was pretty good, even though a few times I had to raise my ISO to 200 or 400 here and there.

Above: More of an editorial look for this shot taken in the bride’s dressing suite, just using the light from the windows. f/2.8 at 1/80 of a second at 200 ISO. Again, not as much light as you’d think, which is why I had a slower shutter speed and higher ISO, even at f/2.8.

I converted the image to black and white in Lightroom CC, and added the duotone effect using Lightroom’s Split Toning panel (shown here).To get the duotone look, I boosting the Saturation amount and moved the Hue slider to a brownish hue in the Shadows only (no adjustments to the Highlights split toning at all). TIP: When you’re setting the Hue and your Saturation amount is low like it is here, it’s sometimes hard to see exactly which hue you’re choosing, so hold the Option Key as you drag it, and it acts as though the Saturation amount is set to 100 which helps a lot.

Above: This is one of my favorites from the shoot, taken in the bridal suite. I switched to the 70-200mm for this one, and I’m at 70mm (I would have liked to have gotten back farther and shoot at 150mm or so, but my back was against the wall, so I couldn’t go back any farther, and didn’t want to switch to a wide angle — I wanted the look that the 70-200mm gives. I’m at f/2.8 at 1/250 of a second shutter at ISO 200).

She’s far enough away from the window that the lighting is very soft and subtle, which I really like.

Above: The “dream-like” quality is provided with a soft glow in post. While you can get a glow effect in Lightroom, it’s not awesome, so I usually use a plug-in. I’ve been using Luminar a lot more lately (a plug-in from Macphun that’s gotten really popular in the past few months), and they have a great built-in glow effect. I also have a bunch of presets that I made (that MacPhun is giving way with a promotion they’re doing), but in this case, I’m not using one of my presets — just the Soft Glow filter.

Above: I loved this hallway, and since our bride had been in ballet, she was cool with doing some dramatic poses. All natural light coming in from a nearby door.

Above: That’s me, sitting on a 1/2 height Apple box again, with the camera directly in front of me, right on the tile floor, with the 14mm lens aiming up. Once again, note the reflection on the floor.

Above: Finally, a shot with lots of light — I let the windows totally blow out again, and I intentionally overexposed the whole image for a bright, airy look. I had to go down to 1/30 of a second shutter speed to let this much light in, at f/2.8 at 200 ISO and I’m at 85mm on my 70-200mm. Again, my back is up against another wall. Would have liked to have gotten back further, and zoomed in tighter, but it’s still one of my favorites from the shoot.

Above: Taking advantage of our subject having been a ballerina, Kalebra had her strike this pose, with her positioned in front of one of the French Doors in the estate. We pulled the sheers to cover the window and somewhat control the light, but we wanted that blown out, over-exposed look — we just wanted it soft.

Hope you found any/some/part of that helpful. Can’t wait to share the whole project with you when it’s done. :)

A big thanks and shoutout to Kalebra for the styling and art direction, and for being my partner in this production from the start, and to Jen Coffin for helping with the production side big time. Thanks to Kathy Porupski for assisting on the gig, keeping things moving, and helping all the way around, and to our bride Julianna for being so patient, and easy to work with. :)

Have a great start to your week, and see ya back here tomorrow for Guest Blog Wednesday.

Best,

-Scott

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Stuff to Watch This Weekend

Hi gang – sorry for the late post today – with the Photoshop World Conference coming next week, it’s hard to work on anything else (really exciting, but busy as heck!). Anyway, I thought I’d share a few courses for you to watch this weekend that are just getting tons of love from our members — these are classes that people are just raving about, so if you’re looking for some learning this Holiday Weekend, I hope you’ll give these a look:

Larry nailed it in this class, and people are writing in that even though they thought they really knew about focus, they learned some seriously helpful things from this class. Here’s the link. 

Tracy Sweeney is becoming a sensation – plain and simple. She shares exactly how she does it, and her images, and her style of teaching, are on the money. People are raving about her class (some are calling it the best class on all of KelbyOne). Here’s the link.

Terry has always been awesome (and one of the best guys on the planet), but this class is giving him “cult hero status.” If you read them comments, they are filled with people signing up and selling their images already online. It’s crazy, but Terry’s class is literally that good. It’s opening people’s eyes to things they either had never considered, or had turned away from. You will love this! Here’s the direct link. 

KelbyOne members so love Stella, for her straight talk, her no-nonse style, and for sharing insights you simply won’t find anywhere else. Her whole career has been about hiring photographers, and she tells you things that will change the way you market and sell yourself, and your work, forever. If you’re thinking of going pro (now, or in the future), this is a must-watch! Here’s the link. 

These classes have HUGE buzz with our KelbyOne members, and I hope you’ll check them out this weekend.

Here’s wishing everybody a happy, healthy Easter (hope you get lots of chocolate eggs, and maybe a Cadbury or two), and we’ll catch you back here next week for Photoshop World Week. :)

Best,

-Scott

P.S. I’m sharing a location bridal shoot on Tuesday that Kalebra and I worked on. Behind the scenes shot, lighting, post processing – the works, so don’t forget to stop by here on Tuesday. 

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My Current Setup For Shooting Tethered Into Lightroom

Happy Monday everybody! I’m out doing my Lightroom seminar tour this year (I’ll be in Chicago and the Detroit area with my seminar next Monday and Tuesday respectively), and I get lots of questions about the tethering rig I use, so I thought I’d share a few Behind-the-Scenes shots from a studio shoot I did a few weeks ago (shots for an upcoming book), where I can break down the set-up (and the lighting while we’re there, right?).

Here’s the basic set-up:

The Cable:
The long orange cable is the essential thing you need to connect your DSLR to your computer (and into Lightroom). It’s from a company called Tethertools, and their entire company is dedicated to making stuff for tethering (so, with the exception of the tripod and ballhead and lights, all of which I mention shortly, all the tethering gear itself is from Tethertools (btw: great company, great people behind it, great products, and awesome customer service – I totally dig them!). Anyway, the cables come in different lengths and different connectors to fit your particular make and model of camera (USB 2.0, USB 3, Firewire, Micro-B, Mini-B, etc.). The bright orange color is to help you see the cable in a dark studio environment so you don’t trip on it. Prices vary based on length and ends chosen, but figure around $32 to $55.

The Bar:
It’s all sitting on a tripod (in this case, it’s a heavy duty Really Right Stuff tripod I believe), and the crossbar attached to it is the ‘Rock Solid Tripod Cross Bar’ from Tethertools (it holds a laptop table on the right, and my Really Right Stuff BH-55 Ballhead on the left, which gives me a place to put my camera between frames, while I’m tweaking the lights, or looking at the images in Lightroom). It’s $129.95 at B&H Photo.

The Laptop stand (and safety strap):
It’s called the Tethertools ‘Aero Table’. NOTE: If you get this Aero Table, I would strongly (in the strongest most strongly of strong terms) suggest that you get the optional SecureStrap that keeps your Laptop from sliding off the table, which is most likely to happen when you and a friend/assistant pick up the rig to move it). It has saved me countless times. Get the strap. It’s a must. It’s optional, but shouldn’t be. It’s strap time. Strap it on.  The Aero Table is $195 for a 15″ MacBookPro, and the SecureStrap is around $18 (btw: all the prices shown are what they’re selling for today at B&H Photo).

External Hard Drive Holder:
The little box under the right the side (seen more clearly in the shot above, taken from another shoot that same day), which is currently holding the “brick” for my Apple charging cable, usually is holding an external hard drive (that’s what it’s really designed for). That little external drive holder is called the ‘Aero XDC‘ and they make ones that hold one drive or two drives. Super handy because if you don’t have one, then your hard drive is just kinda sitting there leaning against your computer, waiting to fall off during the shoot (said from experience). Around $54.

 

 

Rolling Base For Your Tripod
The accessory to this system that I just started using in the past few months, and one in which I have deeply fallen in love with is their Rock Solid Tripod Roller, (seen above) which lets you easily roll the entire rig around, rather than having two people pick it up and carefully move it around the studio, which I often have to do a dozen or so times during a shoot. This way, your tripod sits right in special mounts on the roller, and it just glides around. Much safer, faster, and you don’t need a 2nd person to wheel it around (nor do you have to worry about your laptop falling off when it’s just gliding across the floor, much like Belle in Beauty and the Beast. But I digress). It’s around $79. Can’t recommend it enough.

Not Seen, But Felt…
You can’t see it in this photo, but it’s super awesome is their optional Aero Cup Holder accessory, which slides under the Aero Table and you slide-it-out when you need it. It can hold a water bottle, coffee cup, but it’s also awesome for holding your phone during the shoot, or extra batteries, or whatever you need handy during the shoot. It’s $29.95. Totally worth it.

My Entire Kit
The folks at Tethertools are putting together an entire kit of all the stuff I use, and doing a bundle deal for all of it. I don’t have all the specifics, but one day, it will be available, somewhere, somehow. How’s that for specific info? ;-) BTW: When it does come out, I don’t get a commission or kickback (sadly), it’s just for the convenience of folks who come to my seminar and want the same rig. I’ll share the details here on the blog when it’s available. 

Now, let’s look at the lighting
Since we brought all this up, we have to take a quick look at the lighting, right? It’s simple Clamshell lighting with both lights directly in front of our subject. The top light is an Elinchrom 17″ beauty dish (no diffuser — you can get away without using a diffuser if your subject has really clear skin), and the bottom light is a 24″ square Elinchtrom Rotalux softbox. Both strobes are Elinchrom ELC 500-watt strobes, and I’m triggering them with a Skyport Transmitter sitting in my camera’s hot shoe.

Hope you found that helpful. :)

Pop Quiz: what happens one week from today?
I’m in Chicago with my brand new Lightroom OnTour full-day seminar. Guess what happens the next day? That’s right — I’m in the Detroit area (Livonia, Michigan to be exact) with the same seminar. Two days. Two seminars. What could go wrong? ;-)  – Hope you can come out and spend the day with me (you can still grab a ticket right here).

Hope today is the start of a great week for you, and we’ll catch ya here tomorrow for a slick little Photoshop tip I’ve got fer ya! :)

Best,

-Scott

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It’s “Copyright Your Photos” Tuesday

Hi gang, and welcome to “Copyright your photos, Tuesday” where we stop for a moment from all the other stuff we’re doing, and make sure our photos are protected by registering them with the U.S. Copyright Office (of course, this is for folks in the US — if you’re in another country, this is when you look up what the process is in your country to make sure your images are protected).

It’s never been easier to copyright and protect your images than it is today — you just go to the US Copyright Website; create an account; upload your images (yes, you can upload thousands at a time); pay the $55 registration fee, and in a few weeks they’ll get back to you and say, ‘Yup, We got ’em. You’re set,” or something along those lines (it sounds a bit more formal than that when they say it).

Here’s where you go to start the simple process: https://www.copyright.gov/registration/photographs/index.html

Also, check out this article from PDN magazine about a plug-in that lets you send your images for copyright directly from Lightroom (thanks to our friend and Lightroom guru Rob Sylvan for that one).

If you’re not sure why you should copyright your images, or what the benefits are (and how it protects you), check out our online course called “Copyright Essentials for Today’s Photographers” from attorney Ed Greenberg and photographer’s rights advocate Jack Reznicki (hosted by Mia McCormick). Not only will you learn a lot in a short amount of time, you’ll be thoroughly entertained along the way (Jack and Ed are so much fun). Here’s the official trailer:

This is something you know you’ve been putting off, but today’s the day — now let’s get to it!

Hope you have a kick-butt Tuesday!

-Scott

P.S. We are about 24-days from the big Photoshop World Conference in Orlando, Florida – if you want to come and totally immerse yourself in getting better at Lightroom, Photoshop, Photography and Flash, this is the place to do it. It’s not too late to get your ticket. You’ve always wanted to go — now’s your chance. :)

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